Capricon 44 (February 2024)

We attended Capricon last weekend, building a box fort (again!), hanging out with friends, and attending and/or participating in various panels. I’ve written about Capricon multiple times over the years, as it’s by far my favorite science fiction convention. Smaller conventions – say under a couple thousand people – give you plenty of opportunity to connect with your friends and random encounters with other people, including making new friends.

I’ve mentioned the parties a lot the last couple years, since we started running The Box Fort party at Capricon. While those fill my late night hours (and my nights are definitely later than normal when I’m at conventions), there are a lot of options during the day as well. There are panels on a wide variety of geeky subjects, including a writer’s track for existing and aspiring authors. There’s a gaming room with an extensive library – it was open Thursday evening, then re-opened Friday morning and stayed open until Sunday afternoon. The filk track had both a variety of scheduled events and open jam times.

There were several shopping opportunities between the dealer’s hall, art show (I sold some crocheted items), and author signings that were located just outside the dealer’s hall. Any art show items that receive three or more bids end up at the art auction; this year that included a good selection of board games from our friend Marinda’s collection, donated to support the convention’s designated charity for the year.

Alas, at least one event on the calendar was cancelled because of the weather. The annual “Snow Goons!” (a tribute to Calvin & Hobbes) outing relies on actual snow; last weekend was surprisingly warm. Regardless, a convention like this is a great opportunity to let your geek flag fly, with whatever fandoms you’re inclined to include on that flag.

A museum of wonder!

Well, actually, it’s a WNDR Museum – drop the vowels in “wonder”. It’s an interactive, one-way art museum, where you proceed along a marked path from entrance to exit. Technically, it’s one of four: there are locations in San Diego, Boston, and Seattle, as well as the one we visited in Chicago.

Admission is purchased online – if you arrive, as we did, without tickets, there’s a QR code to scan where you can select the date and time for your tickets. As you’re admitted, you also have the opportunity to purchase drinks to take with you along the path. There are also QR codes along the path to explain how to interact with some of the exhibits. We scanned a couple, but didn’t feel a need to scan every one. Here are some of the photos I took in the time we explored the museum.

  • "Colorbox" - colorful wall art
  • A wall of shimmering sequins with a fish shaped in it by a museum visitor
  • Art on the wall that reacts using a video camera to the viewer's movement
  • A giant head with colorful strands of light flowing out of the top and into various spots on the wall
  • A visually reactive floor that responds to people moving across it
  • A painted mirror with background art
  • Stacks of cubes with rotating lights inside

In addition to the exhibits, several of which were reactive to movement of one sort or another, there were two poets stationed in the museum who were writing poems on the spot for whatever topic you threw at them (they had tip jars), and a magician near the end performing some stunning sleight of hand (no tip jar there). And, of course, a gift shop.

Do you still Wordle?

It’s been about 18 months since Wordle began appearing on my social media feeds, those green and yellow boxes asking for an explanation. I discussed Wordle variants soon after that. While I still play Wordle daily, the variants I play has shifted. I still play Daily Quordle, and its own variant Daily Sequence, which has four words that must be solved in order. While I enjoy Octordle (8 words) and Sedecordle (16 words!), I play on my phone, so managing 8 or 16 words was cumbersome.

Among the variants I’m enjoying are Connections, another puzzle hosted by The New York Times, and Keyword, hosted by The Washington Post. Keyword looks like part of a crossword puzzle – you’re given 6 vertical words, each missing one letter lined up in a horizontal row; your goal is to find the missing word in as few guesses as possible. (A perfect score is 6 letters.) It usually has a mix of easy and hard words. For example, “?ARROT” is probably CARROT, but “RI?E” could be any number of words. When you enter the correct letter, the square turns green; a wrong answer turns it pink. Either way, it shows a count of how many guesses you’ve taken on that letter.

Connections unstarted with the words: Jack, Press, Planet, Button, Plank, Squat, Snap, Obvious, Crunch, Buckle, Nothing, Curl, Zip, Kangaroo, Lunge, Nada

Connections takes a whole different approach, presenting you with a four-by-four grid of words. Your task is to determine what the connections are between the words, correctly grouping them in sets of four. What makes this difficult is the combination of overlapping categories – there’s usually a couple words that could fit into different categories, even once you successfully identify the categories. For example, yesterday’s Connections included the word “Duds” in the Slang for Clothes category, which was also a fit for the “Failures” category.

Connections solved with categories Slang for Zero, Fastening Verbs, Gym Exercises, and Captains

As you complete each grouping, the words move into a colored box; the different colors indicate the level of difficulty. You have up to four mistakes, so you want to be careful with your selections. On the plus side, it won’t let you submit the same erroneous group of four again. Sometimes the problem I have matching the categories is a lack of context, such as MTV shows or NFL players, which are both outside the scope of my fandoms and general knowledge.

Like Wordle, both Keyword and Connections provide a handy summary of your result that can be shared with friends without revealing the answers. Which are your favorite Wordle variants?

Thoughts on Yumi and the Nightmare Painter

Last year, I briefly mentioned Brandon Sanderson’s amazing, record-setting Kickstarter for the four secret books he had written during the pandemic lockdown. (This was in addition to the books he was openly working on.) Not surprisingly, I bought into that Kickstarter, receiving a digital copy of each book on the first day of each quarter this year. I recently finished the third book, Yumi and the Nightmare Painter, and realized I hadn’t mentioned any of them here. Brandon Sanderson states that this is his personal favorite of the Secret Projects; mine (so far) was the first one: Tress of the Emerald Sea.

In this novel, the protagonists Yumi and Nikaro (aka Painter) both have fantastical jobs, which means they have jobs that are specific to the world the story is written in; these are not jobs that are recognizable in our world. Yumi is a Chosen One, one of fourteen young women who through ritual rock stacking can summon spirits and bind them to different uses for society. Nikaro is one of many nightmare painters, tasked with guarding a city from the living nightmares that creep in and feed off people’s fear while they sleep. Nightmare painters capture the nightmares by focusing on them while capturing them on canvas as something harmless. Through a spirit’s cry for help, Yumi and Nikaro are linked magically and tasked with helping each other’s world through their struggles.

This is an easy book to read, especially if you have time to read it all in one sitting. It has all the unexpected twists and fantastical worldbuilding that fans have come to expect from Sanderson, all built on the “what if” concept of fantastical jobs, accented by Aliya Chen’s amazing artwork. It’s okay if you missed the Kickstarter, all of the released Secret Projects books are also available through his website.

Stepping back in time in Janesville, Wisconsin

A couple weeks ago, a friend of mine in Janesville reached out to let me know about a small Renaissance Faire in Wisconsin: the (not surprisingly) Janesville Renaissance Faire (JRF). You may wonder what differentiates small and large Renaissance Faires; most comparisons will be to the Bristol Renaissance Faire (Bristol), since that’s the only other one I’ve attended recently. Primarily, the differences are affordability and permanence.

At the JRF, parking is free and, if you arrive early enough, fairly close; admission was a mere seven dollars (six if you brought a non-perishable food donation). In contrast, Bristol parking is five (general) or ten (preferred) dollars, and admission is up to a whopping forty dollars this year.

In terms of permanence, most vendors at Bristol display their wares in actual buildings at a location dedicated solely to the faire. In contrast, JRF vendors work out of pop-up tents at the Traxler Park, occupying it for just one weekend a year. Scrolling through the JRF’s sizable vendor list, I half expected a larger location, but the vendors made good use of their space.

There was, of course, entertainment, spread across four different stages. One, conveniently, was located in the midst of the food vendors, which was perfect while patiently waiting for lunch or dessert. As expected, there was a fine variety, ranging from musical groups such as Bardmageddon and Bounding Main, to comedy acts and even fire eating. Similar to Bristol, there were more events that we wanted to see than we could possibly attend, though the lunch line placement did help a bit.

The main difference we noticed was the shopping. While there’s no shortage of shopping opportunities at Bristol, sometimes we want to find small groups of gifts – think something in the one to five dollar range – and there were far more of those available at JRF than at Bristol. I suspect this is a combination of the lower entry cost for vendors and the sheer variety of merchandise, as not everything sold at JRF was strictly adhering to the Renaissance theme.

All told, it was a fun day and worth the drive… when the weather is good. We had a lovely sunny – yet not too warm – day, but I understand that it snowed for the event last year. I expect we’ll attend again, and continue to attend Bristol as well.

Thoughts on Leap!

At first glance, Leap! is a feel good kids’ movie from 2016 about an orphan girl who flees her rural orphanage with her best friend to pursue her dream of becoming a ballerina in Paris. And it is absolutely that, a fairly typical underdog works hard to overcome obstacles story.

There are a couple surprises that made this movie stellar. For starters, the U.S. version of the movie adds lines for an otherwise silent character, Luteau, voiced by none other than Mel Brooks. I mean, how can you go wrong with that sort of talent? (For reference, the original release was a France/Canada co-production titled Ballerina.)

We have a tendency to watch shows and movies with subtitles on at home, largely because of how much the sound quality varies across platforms. That’s why we noticed early in the movie that the subtitles don’t match the vocals. This isn’t a case of somebody mistyped a word or two, as we frequently see… there are entire sentences in the subtitles that aren’t spoken.

In hindsight (with Google’s help), it appears there was some rewriting of the dialogue for the U.S. version of the movie. I’m guessing the subtitles weren’t updated to match, which made for an entertaining evening as we compared the vocals to the text. All in all, it’s a fun movie with either set of dialogue.

Thoughts on The Girl Who Fell Into Myth

Are you looking for a new high fantasy series with rich worldbuilding and strong female characters? This is the perfect time to jump into Kay Kenyon’s The Arisen Worlds series, at the very beginning. The Girl Who Fell Into Myth was just published on March 1st, so you can read it before the second book (due in September) is published. This review was originally published in the January 1, 2023 issue of Booklist.

Kay Kenyon launches The Arisen Worlds high fantasy series with The Girl Who Fell Into Myth, as Liesa is reluctantly summoned from her father’s Numinasi “consulate” in rural Oklahoma to her ancestral home of Osta Kiya to learn the way of her parents’ people. Literally adding insult to injury – she is struck by lightning en route to Osta Kiya –  Liesa is immediately greeted with intolerance, forced to change her name to Yevliesza, a proper Numinasi name, and generally ostracized while learning about the culture. Her father, already ill, is imprisoned, primarily for his crime of not returning with her sooner. Despite unearned enmity from powerful members of the court, Yevliesza thrives, discovering her hereditary magic and joins a triad of young ladies learning to control the same power. When disaster inevitably strikes, Yezliesza learns who her friends and enemies are, and where her true power lies. Kenyon masterfully creates a world adjacent to our own that balances their fear of technology with the use of magic, creating a civilization that is both advanced and medieval.

Thoughts on The Lost City

Within the first minute of The Lost City, starring Sandra Bullock and Channing Tatum, it became obvious that this movie was not going to take itself seriously. The protagonists’ of author Loretta Sage’s latest adventure romance novel expressions of admiration for each other as they’re tied up in an ancient temple quickly pan out to a gloating villain, followed by the hero, Dash, asking “Hold up. Are these- Are these your snakes?” This line of questioning continues… who feeds the snakes and why one snake is wrapping itself on a henchman’s leg and not biting the guy? Then the author kicks in with “Delete” on several aspects of the scene, switching to the reality of Loretta struggling to write the ending of her story and still coming to the terms of her husband’s death a few years before.

Minutes later, having found her ending, Loretta is on a book tour with her agent, reading awful online reviews before facing a live audience, and to her surprise, Alan, the cover model for her novels. Her agent, Beth, confiscates Loretta’s phone and sends her on stage in an uncomfortable pink sequined outfit, where she ultimately concedes to the audience’s demand to rip off Alan’s shirt, accidentally removing his wig. Arguments ensue and Loretta storms out into the waiting car of kidnappers employed by Abigail (a gender neutral name, she’s assured) Fairfax, played by Daniel Radcliffe, who noticed that her new book includes real translations for an archaeological site he’s excavating and wants her to travel to the Isla Hundida (“Sunken Island”). She declines; he takes her there anyways.

Meanwhile, Alan, having seen the car Loretta left in, tries to hop into her Uber with the stereotypical “follow that car” line; the Uber driver locks his doors. Police won’t help due to lack of evidence, so Alan reaches out to Jack Trainer (played by Brad Pitt), an ex-Navy Seal he met at a meditation retreat, and they track Loretta’s location using her smart watch (which had snagged on Alan’s wig earlier).

And then the real movie starts, with crazy rescue attempts and corny villain bits. There are a few serious moments as Alan and Loretta figure out how they fit into each other’s lives, but mostly this movie kept us laughing.

Thoughts on A Killing Moon

I made a mistake at Capricon: I bought A Killing Moon, the first book in Alexis D. Craig’s Winged Guardians series.

I read the first couple chapters at the convention, along with pages 119 through 121 to be sure I’d be comfortable reading them out loud to an audience. The panel’s title was judging a book by page 119; the presenters skipped to 119 or thereabouts and read a couple pages, then the audience gauged whether they’d be interested in reading the book before the title was revealed. As I explained after revealing the cover, the book kicks off (in the prologue) with a sex scene, so I skipped ahead to see if the page selection was going to be appropriate for all ages attending the panel.

I can’t reiterate this enough: when given the opportunity to buy books directly from the author at an event, buy the whole damn series. I had to set A Killing Moon down for a couple review books, then breezed through it and wanted more… you know, those other three books that I failed to buy at the convention.

The book itself is a paranormal romance filled with shapeshifters, along with some assassination attempts and palace intrigue. The protagonists are a werewolf and were-crow, and many other were-species are mentioned in this robust hidden world intertwined with ours. Craig clearly has a knack for writing characters that obviously belong together both in and out of the bedroom (living room, and other places) and showing the character evolution as they reach that realization.

If you’ll excuse me, I have to go place a book order.